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Sabtu, 24 Desember 2011

Download Hit and RunBy Nancy Griffin, Kim Masters

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Hit and RunBy Nancy Griffin, Kim Masters

Hit and Run tells the improbable and often hilarious story of how two Hollywood film packagers went on a campaign to reinvent themselves as studio executives -- at Sony's expense. Veteran reporters Nancy Griffin and Kim Masters chronicle the rise of Jon Peters, a former hairdresser, seventh-grade dropout, and juvenile delinquent, and his soulless soul mate, Peter Guber -- and all the sex, drugs, and fistfights along the way. It is the story of the ultimate Hollywood con job and the standard by which every subsequent business blunder has been measured. Hit and Run delivers rock-solid business reporting liberally laced with inside gossip and outrageous scandal -- plus a new afterword bringing us up to date on the latest fallout from the Guber-Peters legacy.

  • Sales Rank: #362435 in Books
  • Color: White
  • Brand: Brand: Simon n Schuster
  • Published on: 1997-06-17
  • Released on: 1997-06-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.30" w x 5.50" l, 1.49 pounds
  • Binding: Paperback
  • 496 pages
Features
  • Used Book in Good Condition

Amazon.com Review
If there is a more archetypical tale of Hollywood in the '80s than the buccaneers' adventures of Jon Peters, Barbra Streisand's former hairdresser, and his business partner Peter Guber, it hasn't been written yet. This thorough, stylish book recounts the rise of Peters and Guber, who together earned fortunes by schmoozing their way to the top, seducing gullible investors, and shoving aside the filmmakers who actually turned out successful films like "Rain Man" and "Batman." The Japanese executives at Sony, in this delightful insider account, were just the most recent and most hoodwinked in a long line of Peters' and Gubers' dupes.

From Publishers Weekly
This is basically the story of two boys who never grew up, but ended up running Sony-owned Columbia Pictures into the ground. Peters, whom the Los Angeles Times described as a "seventh-grade dropout and reform school graduate who began his show-business career as Barbra Steisand's hairdresser-boyfriend-manager," was a master at self-promotion; only semi-literate but able to count well enough to make it big in Hollywood. Bostonian Guber earned several academic degrees before "going Hollywood," somehow managing to indifferently run several studios and make high profits and only a few good films. This book will leave film fans drooling at charges that Peters hired Heidi Fleiss's prostitutes as gifts and that he either bedded or assaulted his numerous conquests (Jacqueline Bisset and Lesley Ann Warren, among others). Guber, the quintessential New Age yuppie, is seen heading off his divorce because it would cost him too much, and participating in hand-holding group-therapy sessions with business-partner Peters. The business side of this book is also intriguing, recounting internecine financial twists and turns that finally have a top Sony executive exclaiming: "Huh! You bankrupt Sony!" Griffin, the West Coast editor of Premiere magazine, and Masters, a reporter for the Washington Post, present a shocking read that will have readers gasping at the obscene overindulgence of Hollywood. Photos not seen by PW. Author tour.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
This unauthorized account of Tinseltown madness features the disastrous duo of corporate executives from Columbia Pictures and their alleged bilking of Sony. With the skill of a slick salesman, narrator Ron McLarty partially succeeds in palming off the hearsay testimony about Sony's ill-advised Hollywood venture. McLarty's off-the-cuff manner enhances the tantalizing, juicy gossip served up by authors Griffin and Masters. The convincing descriptions of the grotesque displays of wealth by the chairmen pitted against the staggering $3 million loss that Sony swallows will undoubtedly titillate some. However, the shock value this program packs can't make up for the lack of good journalism. Most libraries can pass on this one.?Mark P. Tierney, The World Bank, Washington,
Copyright 1996 Reed Business Information, Inc.

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Kamis, 15 Desember 2011

Free Download Intercultural Competence (7th Edition)

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Intercultural Competence (7th Edition)

About the Author

Dr. Myron W. (Ron) Lustig is a renowned teacher, writer, scholar, and researcher. After receiving his Ph.D. from the University of Wisconsin, he had a distinguished career as a professor of communication at San Diego State University (SDSU). He is now an emeritus professor at SDSU, a past president of the Western States Communication Association (WSCA), and a recent recipient of WSCA’s Distinguished Service Award, its highest honor. He is a former editor of Communication Reports and is currently on the editorial boards of several intercultural communication journals. His teaching and research interests include intercultural, group, and interpersonal communication theories, methods, and processes. Dr. Lustig has written 9 books or book revisions, over 30 scholarly research articles, and numerous conference papers. During several recent spring semesters, he has gained additional practical and theoretical lessons about Intercultural Competence while teaching intercultural communication to undergraduate and graduate students at Shanghai International Studies University.   Dr. Jolene Koester was president of California State University, Northridge, one of the largest and most diverse campuses in the 23-campus California State University system, from 2000-2011. Under her leadership, the University improved graduation and retention rates, created a user-friendly campus, strengthened connections with the community, and increased fundraising. She also worked to make the University more learning-centered and focused on student success. Known nationally for her leadership in higher education, she currently serves on the board of directors of NAFSA, an association of international educators. She is also a past chair of the Board of Directors for the American Association of State Colleges and Universities, a former president of the Western States Communication Association, and remains active in issues related to higher education access and leadership. After earning a Ph.D. in speech communication from the University of Minnesota, she began her academic career as a professor of communication studies at California State University, Sacramento, and served in a variety of administrative positions there, including provost and vice president for academic affairs, prior to her appointment as president of Cal State Northridge.

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Product details

Paperback: 400 pages

Publisher: Pearson; 7 edition (July 30, 2012)

Language: English

ISBN-10: 0205211240

ISBN-13: 978-0205211241

Product Dimensions:

7.4 x 0.8 x 9 inches

Shipping Weight: 1.2 pounds

Average Customer Review:

3.8 out of 5 stars

92 customer reviews

Amazon Best Sellers Rank:

#21,440 in Books (See Top 100 in Books)

This is the looseleaf format and I am unhappy with it, because the "interactive" boxes only show one 'tab' open and don't show was is behind the other tabs in the printed version. Where online you can probably click each tab to view the text so you don't miss out on any information. In this printed version, each tab should be shown open so all text is visible to the reader. It is like this throughout the entire textbook. I feel the publisher should at least email me all these pages with all the tabs from the interactive boxes open with visible text, as I paid to have a complete textbook, not one with partial information. I am not sure if the other printed formats of this text have the same issue or not, but this looseleaf one does and it's very frustrating, as I'm sure I'll be tested on all the information that should be contained in the book, not just what is printed in mine.I am not unhappy with the delivery of the book, it got here as promised.

Great book; however, I was very disappointed that the Kindle version of the book does not have any interaction ability that it could have, such as enlarging photos or tables for clarity. Why show me interaction options I could have with no chance at an interaction? What makes the book interactive? I'm guessing another access card that the professors don't even want to request because they don't work with the educational mainframe. Also, the details state you can have it loaded on two units; however, that function didn't work. I was only able to read on 1 device and you can't switch it to another one without getting a nasty message that you've extended your license use for the product. BTW, if you have an issue with a laptop crashing, you will lose all of your notes & highlights because they don't transfer back in when you reinstall the readers. Very annoyed with this purchase's accessiblity or lack of. Oh well, maybe we learn something without the bells and whistles. Overall...blah :(

The textbook is well written. However, the kindle version is terrible. There are many interactive boxes which explain important concepts that kindle simply does not support. I am unable to access around 30% of the content in my textbook due to this. I'm lucky that my teacher provided notes for each chapter, otherwise, I would have been in big trouble for tests and assignments.

I had to use this textbook for a college course, and I will admit, I ended up hardly opening it. The parts I did read were "okay," but it isn't as riveting as other things, but certainly could be far dryer than it was. If you have extra time to read, its not a bad source, but for my particular course, I almost didn't need it.

The text itself is an excellent primer on intercultural communication. However, a significant amount of information is presented in interactive widgets that contain multiple tabbed sections - these don't function. The user can only see one tab, and cannot access any of the information on the other tabs in any way. Imagine receiving a print textbook with numerous insets and paragraphs just blacked out. The product information should at least tell you that this is an issue.

Renting Intercultural Competence has been a life saver for me. This is the first time I rented a book and I am very happy that I found this option just before the start of class. The book, itself, is a very interesting and well written textbook. Real life examples are given to accent the subjects covered. I feel so much more intelligent because the book lays down a nice foundation in linquistics culture, verbal/nonverbal communication and life.

Good thing I only needed to rent this book. It’s definitely used with lots of wear and tear and marked up. So don’t think it was me. It came to me like that. It’s still usable.

Intercultural Competence: Interpersonal Communication Across Cultures (6th Edition) A great book for learning how to avoid putting your foot in your mouth! A wealth of information on people around the world, pointing out similarities, as well as the differences. A worthy addition to the two-book series How to be a Perfect Stranger," which mainly treats the various religions and their sundry internal denominations. (Sunni vs Shiite vs Sufi; or Catholic vs Orthodox vs 300+ Protestant sects) Every family should have a copy for facilitating peaceful and harmonious living together.

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Minggu, 11 Desember 2011

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Never used

  • Amazon Sales Rank: #22799 in Books
  • Published on: 1748
  • Dimensions: .0" h x .0" w x .0" l,
  • Binding: Paperback

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Jumat, 09 Desember 2011

PDF Ebook Heaven (Halo Trilogy Book 3)By Alexandra Adornetto

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Heaven (Halo Trilogy Book 3)By Alexandra Adornetto

Only sixteen when she started the series, Ally Adornetto knows how teen hearts beat, and this long-awaited conclusion is certain to be her most popular book yet.

Bethany, an angel sent to Earth, and her mortal boyfriend, Xavier, have been to Hell and back. But now their love will be put to its highest test yet, as they defy Heavenly law and marry. They don't tell Beth's archangel siblings, Gabriel and Ivy, but the angels know soon enough, and punishment comes in a terrifying form: the Sevens, who are rogue angels bent on keeping Beth and Xavier apart, destroying Gabriel and Ivy, and darkening angelic power in the heavens.

The only way Bethany and can elude the Sevens is to hide in the open, and blend in with other mortals their own age. Gabriel and Ivy set them up at college, where they can't reveal their relationship, and where there is still danger around each corner. Will Bethany be called back to Heaven – forever – and face leaving the love of her life?

  • Sales Rank: #433037 in eBooks
  • Published on: 2012-08-21
  • Released on: 2012-08-21
  • Format: Kindle eBook

Review
“For fans of the series.” ―School Library Journal

About the Author

ALEXANDRA ADORNETTO's first book, Halo, became a New York Times bestseller a week after it was published, and has been translated in over a dozen languages around the world. It's sequel Hades, published August 2011, was also a New York Times bestseller. Born in Australia, Ally is now attending college at the University of Mississippi in Oxford, MS.

Excerpt. © Reprinted by permission. All rights reserved.
1
Till Death
 
 
EVERYTHING began to rattle.
I clutched the edge of the table and watched my engagement ring tumble onto the checkered floor of Sweethearts Café. The tremor lasted only a matter of seconds but the jukebox cut out and the alarmed waitresses teetered as they tried to balance their loaded trays.
Outside I saw the sky darken like bruised flesh and the treetops tremble as if shaken by an invisible hand. The blissful faraway expression on Xavier’s face vanished, replaced by the hard, fighting look I’d seen far too much on him lately. I gripped his hand more tightly, closed my eyes, and waited for the blinding light that would surely come to return me to my prison in the sky.
But a moment later the earth was still again and normal activity resumed around us. Everyone had been bracing for something worse and breathed a collective sigh of relief when it didn’t come. Now they were laughing, commenting on the unpredictability of Mother Nature while the waitresses hurried to clean up spilled drinks. Nobody was dwelling on what had happened—it would probably be newsworthy for a day or so and then forgotten. But Xavier and I weren’t so easily fooled. Trouble was stirring in the Kingdom; we could feel it.
I considered telling Xavier that maybe this wasn’t such a good idea after all, that we should return his grandmother’s ring and drive back to Bryce Hamilton for the remainder of the graduation ceremony. If we hurried we’d probably arrive in time for him to deliver his valedictory speech. But the more I watched him, the more I faltered in my resolve.
My dutiful side recognized the wisdom of heeding the warning, meekly playing by the rules and not tampering with the will of Heaven. But I could feel a rebelliousness stirring inside me that told me it was too late to turn back. I let the timid girl I’d once been shrink into the shadows like a wallflower at a dance and allowed the new Beth to take over. I didn’t know her too well, but somehow I felt like she’d been there all along, waiting in the wings, an understudy ready for her moment to shine.
It was this Beth who stood and snatched up her bag.
“Let’s go.”
Xavier tossed some bills down on the table and followed me into the street. He turned his face upward, squinting into the sun, which had quietly reappeared, before letting out a long sigh.
“Think that was directed at us?”
“I don’t know,” I replied. “We might be reading too much into it.”
“Maybe,” Xavier said. “But nothing like that’s ever happened before and I’ve lived here all my life.”
I looked up and down Main Street. People seemed to be going about their business as usual. I noticed the sheriff was out, reassuring some nervous tourists. His level voice carried over to us.
“There’s no cause for alarm, ma’am. Tremors might be rare in these parts but they’re nothing to worry about.”
The tourists seemed placated by his words but I knew the trembling earth couldn’t be a mere coincidence. It was clearly a warning from above, not designed to do any real damage, just get our attention. And it had succeeded.
“Beth?” Xavier faltered. “What do we do now?”
I glanced at the Chevy parked across the street—it would only take us five minutes to get down to the water’s edge where Father Mel was waiting for us in the chapel. I remembered visiting him along with Gabriel and Ivy when we first arrived in Venus Cove, and although it had never been openly discussed, he had known what we were. The look on his face had told us everything. I found myself thinking that if a man as pious as Father Mel had agreed to marry us, he must believe in our union. It was comforting to know we had at least one ally in our camp.
I wrestled internally for a moment before catching sight of an elderly couple sitting on a wooden bench in the square. The man held his wife’s hand cupped in his own and smiled to himself as the breeze ruffled his white hair, while the sunshine warmed the back of his neck. I wondered how long they’d been together, how much of life’s journey they’d shared. It was a glittering afternoon and the birches on the sidewalk twinkled in the sun. I watched a jogger go by, plugged into his iPod, and a little boy making faces at pedestrians through a car window. I may not have been born into this world, but I knew I had earned the right to be here. I was not about to relinquish that right so easily.
I took Xavier’s face in my hands. “If I recall … you just asked me to marry you.”
He regarded me uncertainly for a moment until understanding dawned. Then his face broke into a smile. He grabbed my hand with renewed fervor and we dashed across to the waiting Chevy. In the backseat lay the academic caps and gowns we had abandoned earlier but neither of us noticed them now. We didn’t speak as Xavier stepped on the gas and the car sped off toward the shoreline. Any doubts we might have had evaporated. Come what may we were sticking with our plan.
*   *   *
SAINT Mark’s was a bluestone chapel, built by European colonists just after the Civil War. A wrought-iron fence surrounded it and a cobbled path lined with bluebells led to its arched oak doors. It was the first Catholic church in the county, and a memorial wall lined the side garden, commemorating fallen confederate soldiers. Saint Mark’s meant a lot to Xavier and his family. He’d taken bible study there since he was a boy and performed in every Christmas pageant until he was old enough to be embarrassed by it. Father Mel knew each of the Woods children personally. In just a few weeks he was going to marry the eldest daughter, Claire. As her brother, Xavier would stand up as one of the groomsmen.
As soon as we stepped through the arched doorway, the bustle of the outside world was completely obliterated. Our footsteps echoed on the red-veined marble of the chapel floor, and stone pillars towered to the domed ceiling above us. A statue of a crucified Christ dominated the nave, His crowned head bent, but His eyes turned Heavenward. Mosaic portraits of martyred saints stared down at us from the ceiling. A muted gold light filled the chapel, gliding off the golden tabernacle that held the consecrated hosts. On the walls, paintings of the fourteen Stations of the Cross hung in heavy carved frames. The pews were polished redwood and the smell of incense permeated the air. The stained glass window above the altar depicted a golden-haired Gabriel, stern-faced and red-robed as he delivered his message to a bewildered kneeling Mary. It was strange seeing an artist’s interpretation of my archangel brother. The real Gabriel was so beautiful and formidable that his likeness could never truly be captured. Still, the colors rippled, bringing the figures to life before our eyes.
Xavier and I stopped at the entrance to dip our fingers in the font of holy water, crossing ourselves in tandem. A soft rustling of fabric preceded Father Mel’s appearance. When he emerged, he was wearing full vestments that brushed the floor with a swishing sound when he walked down the carpeted steps to greet us. He was a balding man with twinkling eyes and didn’t look surprised to see us. He embraced Xavier warmly and then folded my hand in his as if we were old acquaintances.
“I’ve been expecting you,” he said encouragingly.
Father Mel ushered us to the front of the church where we both knelt before the altar. He searched our faces, looking for confirmation of our sincerity.
“Marriage is a serious commitment,” he said. “You’re both very young. Have you thought carefully about what you are about to undertake?”
“Yes, Father, we have,” Xavier replied in a tone that would have convinced even the most ardent skeptic. “Will you help us?”
“Hmmm,” came the gravelly reply. “What do your families have to say about all this? Surely they’d want to be present at such a momentous occasion?” Father Mel’s gaze grew stern when he met my eyes.
“This is our decision,” Xavier said. “I wish they could be here … but they just wouldn’t understand.” Father Mel nodded as he considered the full meaning of Xavier’s words.
“This isn’t some teenage crush,” I cut in, worried that he might need more persuading. “You have no idea what we’ve been through to get here. Please, we can’t go another day without belonging to each other in the eyes of the Lord.”
I could see Father Mel was finding it hard to ignore our urgency, but the little voice in his head advocated caution. I needed to try harder if I was going to convince him.
“It’s God’s will,” I said suddenly, and watched his eyes widen. “He brought us together for a reason. You of all people should know He has a plan for everyone and this is ours. It’s not for us to question Him, we just want to embrace what He has created between us.”
That seemed to seal the deal. He couldn’t reject what seemed to be a blatant directive from above. Father Mel fluttered his hands in a gesture of consent.
“Very well then. It won’t do to keep you waiting any longer.” He beckoned to someone who had until now been hidden in the gloom. “I’ve taken the liberty of asking Mrs. Alvarez to act as witness.”
We turned our heads to see a woman who’d been silently praying at the end of a pew. When she stood up and approached the altar, I recognized her as the presbytery’s housekeeper. Mrs. Alvarez smoothed out imaginary creases in her print blouse. She couldn’t help looking excited about playing a minor role in what must have appeared to her as some wild and romantic escapade. When she spoke, she even sounded a little breathless.
“You are the son of Bernadette, yes?” she asked with a heavy Hispanic accent. Xavier nodded and dropped his gaze, anticipating a reprimand. But Mrs. Alvarez only gave his arm a complicit squeeze. “You don’t worry; everyone will be happy for you soon enough.”
“Shall we begin?” Father Mel asked.
“Please … un momento.” Mrs. Alvarez shook her head and surveyed me unhappily before excusing herself. We waited in confusion for a moment until she returned and presented me with a posy of daisies hastily picked from the chapel’s garden.
“Thank you.” I smiled at her gratefully. In our hurry to get there, Xavier and I hadn’t given much thought to details. Both of us were still in our crisp school uniforms.
“You are very welcome.” Her eyes crinkled in delight.
The sunlight pouring through the stained-glass window washed Xavier in golden tones. It wouldn’t have mattered if he’d been wearing his old gym shorts. His very presence was dazzling. Out of the corner of my eye I caught a glimpse of my own tumble of chestnut hair, streaked with copper and bronze. My reflection seemed to be glowing. A small part of me wanted to see this as a sign that perhaps our union might find favor in the eyes of Heaven. After all, the earth had stopped shaking and the ceiling was showing no sign of caving in. Maybe, just maybe, ours was a love that even Heaven had to accept.
When I looked at Xavier, I realized something in me had changed. I wasn’t overcome with my usual flood of emotion—a love so intense that I sometimes felt my body couldn’t contain it without exploding. Instead, I felt entirely at peace, like my universe was coming together exactly as it should. Although I knew Xavier’s face like the back of my hand, every time I looked at him, it was like seeing him for the first time. There was so much depth and complexity in the graceful lines of his face: his full lips curving into a half smile, his swooping cheekbones and almond eyes that were as turquoise as the shallows of the ocean. Fingers of sunlight danced across his honey gold hair, making it glow like burnished brass. His school uniform, its dark blue blazer with the Bryce crest emblazoned on the pocket, seemed fitting for the solemnity of the occasion. Xavier reached up to give his tie a final adjustment. I couldn’t tell if he was nervous or not.
“Gotta look my best today,” he said, giving me a playful wink.
Father Mel spread his hands and held them ceremoniously aloft.
“You have come together in this church so that the Lord may consecrate and seal your love through holy matrimony. May you both assume the duties of marriage with mutual respect and lasting fidelity. And so, in the presence of the Church, I ask you to state your intentions. Will you love and honor each other as husband and wife for the rest of your lives?”
Xavier and I both glanced up as if suddenly aware of the sanctity of this moment. We didn’t hesitate, though, and answered in unison as if our individual selves had already intertwined.
“We will.”
“Join your right hands and declare your consent before God and His Church. Xavier, repeat after me.”
Xavier enunciated every word carefully, as if each one carried so much weight it could not be rushed. His voice was like music. I felt so giddy I had to tighten my grip on his hands for fear of floating away. His eyes did not leave mine as he spoke.
“I, Xavier Woods, take you, Bethany Church, for my lawful wife, to have and to hold, from this day forward, for better, for worse, for richer, for poorer, in sickness and in health, until death do us part.”
Then it was my turn. I must have been nervous because I heard my voice quaver as I uttered the same vows while Father Mel looked gravely on. Mrs. Alvarez withdrew a lacy handkerchief that she kept tucked in one sleeve and dabbed at her eyes. As I spoke, even I couldn’t keep the tears from falling. But I’d never understood until that moment what it meant to cry tears of happiness. I felt the pad of Xavier’s thumb stroke my hand and for a second I lost myself in the depth of his eyes. Father Mel’s voice brought me back to the present.
“It’s time for the rings, which you give to one another as a symbol of your love and fidelity.”
Xavier took my hand and slipped his grandmother’s ring onto my finger. It fit snugly, as if it was attaching itself to me for good. Wishing we’d had more time to plan, I covertly slipped off my class ring and tried to slide it on Xavier’s ring finger. Of course it was too small and I could only make it fit onto his pinkie. Xavier and I froze, thinking we’d ruined everything. But we both relaxed again when Mrs. Alvarez covered her mouth and started to giggle.
“May your union find favor in the eyes of the Lord,” Father Mel concluded. “May it bring peace and harmony to your lives. I now pronounce you husband and wife.”
And that was it. The ceremony was over and we were married.
All my life I’d felt like the outsider, looking in on a world I could never be part of. In the Kingdom I’d existed, but never really lived. Meeting Xavier had changed all that. He had let me in, loved me, and looked after me. He’d never cared that I was different, and he had brought my whole world to life just with his presence. I knew we still had struggles ahead of us, but my soul was now inextricably tied to his and nothing, neither Heaven nor Hell, could tear us apart.
We forgot to wait for the formal directive from Father Mel and melted instantly into a kiss. There was something completely different about the nature of the embrace we shared. This time, it felt sacred. My wings began to hum beneath my shirt and every inch of my skin began to tingle, spreading a warm glow across my body. Then, the light from my skin fused with the sunshine filtering through the stained-glass window. It exploded in a flash, locking Xavier and me inside a shimmering prism of light. Father Mel and Mrs. Alvarez gasped in surprise but a second later, the prism shattered as the sun dipped behind a cloud.
Mrs. Alvarez was so overcome with excitement that she broke into a stream of congratulations in Spanish and kissed us both as vigorously as if we were her long-lost relatives. She only stopped when Father Mel steered us discreetly away to the altar to sign the license.
I’d just laid down my pen when the chapel doors flew open with a crash so resounding it made everyone jump.
The loose-limbed figure of an adolescent boy with an effeminate face and a cowlick stood in the entrance. He wore a hooded black robe and three sets of black wings fanned out behind him. He bowed formally, never taking his eyes off Father Mel, and approached the altar with a gait so rehearsed he might have been on a catwalk. A gleaming scythe swung at his side. I knew at once what he was: a Grim Reaper, trained by the Angel of Death himself. Hysterical screams broke from Mrs. Alvarez as she scrambled for refuge behind the altar. Frantic prayers uttered in Spanish could be heard from her hiding place. Traditionally, reapers are only visible to those they seek, but in this case etiquette had been abandoned. Every movement seemed deliberate, designed to issue a clear message to us. This death was on our heads.
Instinctively, I pushed Xavier to the ground. At the same time my wings snapped open, shielding him; a reaper could never claim a soul while its guardian was watching over it. But I soon discovered it wasn’t Xavier the young reaper had in his sights.
His intense gaze was fixed on Father Mel, and his slender finger was pointing straight at him. The priest blinked in confusion before cowering backward until he was pressed up against the altar, his horn-rimmed glasses askew on his face.
“I meant only to help. I meant only to help,” he repeated.
“Your intention is irrelevant,” replied the reaper coldly.
Father Mel paused for a moment, then righted himself. “I was called by the Lord and I answered.”
“Do you know what she is?” the reaper asked. “She is not human.”
Father Mel did not seem surprised. He had known all along I was different, although he had never questioned me or treated me like an outsider.
“God works in mysterious ways,” he replied boldly.
The reaper inclined his head. “Indeed.”
I watched transfixed as he held one hand aloft and Father Mel instantly doubled over in pain, clutching his heart. He gasped for breath as he fell to the floor.
“Leave him alone!” Xavier screamed, trying to extricate himself from my grasp. I had him pinned, using strength I didn’t know I had. The reaper seemed to look at us for the first time and turned his languid sleepy eyes to Xavier. The smile on his rosebud lips was almost insolent.
“My business is not with you,” he answered. Then he closed the distance between himself and the priest lying prostrate on the marble floor. Xavier struggled, but my angelic power held him fast.
“Beth, let me go,” he pleaded. “Father Mel needs help!”
“We can’t help him now.”
“What’s wrong with you?” he implored, looking at me with a strange expression, like he didn’t recognize me.
“You can’t fight a reaper,” I whispered. “He’s acting under instruction. If you get in his way, he’ll take you too. Don’t make me your widow within minutes of becoming your wife.”
That seemed to get through to him. Xavier stopped struggling and fell silent, though his eyes were full of anguish as he stared helplessly at his childhood priest and mentor. Father Mel’s body twitched briefly and then was still. The reaper glided away only to reposition himself at the head of the body. I knew what he was waiting for. A smoky shadow emerged from Father Mel’s open mouth and hovered in the air—a filmy replica of the lifeless form on the floor.
“Follow me,” instructed the reaper tonelessly. He sounded almost bored. Father Mel’s soul looked lost for a moment, searching for direction, and then complied. Together reaper and mortal soul ascended toward the domed ceiling of the church.
“Where are you taking him?” I demanded, dreading the thought of Father Mel being cast into the pit for trying to help us.
“His motives were pure, so his place in Heaven remains intact,” the reaper replied without looking back or pausing in his flight. “But his days on this earth are over.”


 
Copyright © 2012 by Alexandra Adornetto

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Kamis, 27 Oktober 2011

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Senin, 17 Oktober 2011

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Paperback: 331 pages

Publisher: Grove Weidenfeld; 1st edition (March 1, 1980)

Language: English

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ISBN-13: 978-0802151209

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Using the principles of Lateral Thinking for story-telling, author and screenwriter, Lee A. Matthias shows writers how to generate and develop their best ideas for movies and novels.

  • Sales Rank: #3941065 in Books
  • Published on: 2012-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.61 pounds
  • Binding: Paperback
  • 500 pages

About the Author
During and after college, Lee Matthias worked as a theater projectionist, theater manager, and film programmer; in public relations; and as a literary agent selling to publishers and producers. He has had a number of magazine articles, one novel, and two “movie-length tales” published, with others on the way. While he’s written several screenplays, so far, his screenwriting has only been optioned. Two heads are better than one, so he keeps a skull on his desk for inspiration (and a second opinion). He is married and the father of two daughters.

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Kamis, 06 Oktober 2011

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  • Sales Rank: #10326499 in Books
  • Published on: 2007-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .29" w x 6.00" l, .42 pounds
  • Binding: Paperback
  • 124 pages

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Telling Stories: An Anthology for WritersFrom W. W. Norton & Company

Drawing on syllabi for Joyce Carol Oates’s own writing seminar at Princeton University, Telling Stories gathers over one hundred works of narrative art―"miniature" narratives, dramatic monologues, early stories by well-known writers, prose pieces inspired by myth, legend, and folktale, poems that tell stories, memoir and diary excerpts, two examples of genre fiction, and a generous sampling of classic and contemporary short stories―selected to stimulate and inspire beginning writers as they practice and perfect their craft.

Oates’s chapter introductions and afterword on the writing workshop offer students encouragement, advice, and exercises for honing their skills.

As a teacher, Oates emphasizes the importance of reading widely with enthusiasm, pleasure, and purpose. Telling Stories reflects this emphasis, introducing students to a variety of models for their own writing and encouraging them to concentrate on details, revise often, make material their own, experiment with genre, and ultimately find their own voice.

Edited by a contemporary master of the storyteller’s art "who defines herself primarily as a friend of the text and a friend of the writer," Telling Stories is the perfect anthology for creative writing workshops and fiction classes and a wellspring of inspiration for any beginning writer.

"The love of storytelling―to hear stories, and to tell them―is universal in our species. Those with an apparent talent for writing. . . are not of a special breed but simply mirror the common human desire. [If] you have a natural talent for writing, and a love of the imagination, you risk a lifelong deprivation if you fail to cultivate it as vigorously as you can. Write your own ’great American novel‘. . . you’re talented, you’re intelligent, you have the driving passion, and you know as much as anyone about American life. Your story belongs uniquely to you." ―Joyce Carol Oates, from the Introduction

  • Sales Rank: #451084 in Books
  • Published on: 1997-10-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.40" w x 6.00" l, 2.20 pounds
  • Binding: Paperback
  • 752 pages

Amazon.com Review
"Every book, every story, every sentence we read is a part of our preparation for our own writing," suggests Joyce Carol Oates in her introduction to Telling Stories, "so it's wise to choose our reading carefully." Easily said. But apart from sticking to the classics and canceling that subscription to People magazine, how does one go about choosing wisely? One way is to find a reliable anthologist, and in Oates we have just that. Prolific a writer as she is, Oates also teaches creative writing at Princeton, and she uses many of the stories, prose pieces, and poems collected in Telling Stories as material for her writing workshops. Among the nearly 100 authors included in the volume are Anton Chekhov and Lydia Davis, Ovid and Angela Carter, H. P. Lovecraft and Stephen King, Gish Jen and Thom Jones. A rich stew it is indeed, and a terrific jumping-off place for those writers who wish, as Oates recommends, "to read widely, to read with enthusiasm, to read for pleasure, to read with an eye for another's craft." --Jane Steinberg

From the Back Cover
Drawn from Joyce Carol Oates's reading list at Princeton University, the pieces collected in Telling Stories provide beginning writers with models and inspiration for their own writing. Oates gathers here a diverse anthology of over one hundred works, including "miniature" narratives, dramatic monologues, poems that tell stories, memoir and diary excerpts, and a generous sampling of classic and contemporary short stories. Throughout, Oates has chosen exemplary writings - by relative newcomers and established authors alike - to delight readers as well as to stimulate students' own creative work. A general introduction and an afterword on the writing workshop offer students encouragement, advice, and exercises for writing. A text for creative writers, an anthology for fiction courses, Telling Stories provides a master's portrait of the art and craft of storytelling.

About the Author
Joyce Carol Oates is one of our most important and well known writers―and one of America’s foremost writers of the short story form. She is also a regular contributor of reviews and criticism for the New York Times Book Review, The New York Review of Books, and elsewhere. She also reads and lectures widely throughout the US, at universities and bookstores.

Telling Stories: An Anthology for WritersFrom W. W. Norton & Company PDF
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Telling Stories: An Anthology for WritersFrom W. W. Norton & Company Mobipocket
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Telling Stories: An Anthology for WritersFrom W. W. Norton & Company PDF

Telling Stories: An Anthology for WritersFrom W. W. Norton & Company PDF

Telling Stories: An Anthology for WritersFrom W. W. Norton & Company PDF
Telling Stories: An Anthology for WritersFrom W. W. Norton & Company PDF

Minggu, 11 September 2011

Download PDF Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship

Download PDF Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship

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Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship

Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship


Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship


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Elon Musk: Elon Musk’s Best Lessons for Life, Business, Success and Entrepreneurship

Product details

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margin: 0.5em 0px 0em 25px !important;

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Audible Audiobook

Listening Length: 2 hours and 18 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Ingram Publishing

Audible.com Release Date: September 11, 2018

Whispersync for Voice: Ready

Language: English, English

ASIN: B07H4Y9KLV

Amazon Best Sellers Rank:

Well.Read one or two pages and thought something is missing in this book. More like a uni student's report regarding elon musk putting together stuff scraped on the Internet. Geez. A piece of junk i can say if you expect something like a well-written publication or sth.So don't waste money. Crap.

This book is a complete rip off. It is crap. It is all of 46 pages long and notice g you couldn't get from Wikipedia. As a matter of fact, give the 9.00 you would have wasted on this trash to Wikipedia. They deserve the money more than the joker who "wrote" this "book". It's not a "book" it's a pamphlet. If they hadn't used such a large font it would be about twelve pages. I'm sending it back.DO NOT BUY THIS!!IT IS TRASH!!!

What s rip-off compared to the pix. It's more like a pamphlet w. only, 40 pages.The price is that of a hardcopy. Very disappointing. Because it was being a Christmas gift. Not now it's too cheap.

More of a pamphlet than book

Waste of time and money. Very little content, not much work put into this. Very slim book, with generic information available anywhere.

This is a great book, for a third grader. The book is only 105 pages long, with large text and lots of white space. Everything the author has to say is said in the first 30 pages, then repeated several times. Bottom line, you can get the same info from Wikipedia for free, don't waste your money.

Reading felt lacking of substance, essentially promoting Elon's interests/companies without containing any personality. Redundancy abounded amongst the chapters with the reader only getting a superficial sense of Elon the man.

Useful information but not a scholarly type of work. For one, there are grammatical errors in the book. This was not a publisher edited book, so that makes me question the credibility of the information. No source citation for any of the information provided.

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Rabu, 07 September 2011

Ebook An Introduction to Nineteenth-Century ArtBy Michelle Facos

Ebook An Introduction to Nineteenth-Century ArtBy Michelle Facos

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An Introduction to Nineteenth-Century ArtBy Michelle Facos

An Introduction to Nineteenth-Century ArtBy Michelle Facos


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An Introduction to Nineteenth-Century ArtBy Michelle Facos

Using the tools of the "new" art history (feminism, Marxism, social context, etc.) An Introduction to Nineteenth-Century Art offers a richly textured, yet clear and logical, introduction to nineteenth-century art and culture. This textbook will provide readers with a basic historical framework of the period and the critical tools for interpreting and situating new and unfamiliar works of art.

Michelle Facos goes beyond existing histories of nineteenth-century art, which often focus solely on France, Britain, and the United States, to incorporate artists and artworks from Scandinavia, Germany, and Eastern Europe.

The book expertly balances its coverage of trends and individual artworks: where the salient trends are clear, trend-setting works are highlighted, and the complexity of the period is respected by situating all works in their proper social and historical context. In this way, the student reader achieves a more nuanced understanding of the way in which the story of nineteenth-century art is the story of the ways in which artists and society grappled with the problem of modernity.

Key pedagogical features include:

  • Data boxes provide statistics, timelines, charts, and historical information about the period to further situate artworks.
  • Text boxes highlight extracts from original sources, citing the ideas of artists and their contemporaries, including historians, philosophers, critics, and theorists, to place artists and works in the broader context of aesthetic, cultural, intellectual, social, and political conditions in which artists were working.
  • Beautifully illustrated with over 250 color images.
  • Margin notes and glossary definitions.
  • Online resources at www.routledge.com/textbooks/facos with access to a wealth of information, including original documents pertaining to artworks discussed in the textbook, contemporary criticism, timelines and maps to enrich your understanding of the period and allow for further comparison and exploration.

Chapters take a thematic approach combined within an overarching chronology and more detailed discussions of individual works are always put in the context of the broader social picture, thus providing students with a sense of art history as a controversial and alive arena of study.

Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).

  • Sales Rank: #624748 in Books
  • Published on: 2011-02-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.90" h x .90" w x 7.40" l, 2.30 pounds
  • Binding: Paperback
  • 464 pages

About the Author

Michelle Facos teaches art history at Indiana University, Bloomington. Her research explores the changing relationship between artists and society since the Enlightenment and issues of identity. Prior publications include Nationalism and the Nordic Imagination: Swedish Painting of the 1890s (1998), Art, Culture and National Identity in Fin-de-Siècle Europe, co-edited with Sharon Hirsh (2003), and Symbolist Art in Context (2009).

An Introduction to Nineteenth-Century ArtBy Michelle Facos PDF
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An Introduction to Nineteenth-Century ArtBy Michelle Facos PDF

An Introduction to Nineteenth-Century ArtBy Michelle Facos PDF

An Introduction to Nineteenth-Century ArtBy Michelle Facos PDF
An Introduction to Nineteenth-Century ArtBy Michelle Facos PDF